De-mystifying the Phonemic Chart

When I started teaching the chart seemed practically incomprehensible to me. Even as I grew to understand it (and Adrian Underhill’s layout is the only one that seems to make sense) it felt like a great cognitive load to place on students (‘Think English spelling is hard? Now learn all these symbols!’). The DELTA, if anything, made it seem less accessible (unvoiced bilabial plosive, anyone?).

Adrian Underhill, though, strips all that away through use of gesture and mime, by focusing on the chart as a ‘geographical map’ of the mouth which helps locate the physical movements we make in production, using simple prepositions of place to describe movement. Read more

This is just to say… William Carlos Williams

 

This Is Just To Say

I have eaten
the plums
that were in
the icebox
 
and which
you were probably
saving
for breakfast
 
Forgive me
they were delicious
so sweet
and so cold
 

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The Genius of Knock Knock Jokes

Knock knock! Knock knock! Knock knock!
Who’s there? Who’s there? Who’s there?
Cows go Little old lady Europe
Cows go, who? Little old lady who? Europe who?
No, silly, cows go MOO! I didn’t know you could yodel! You’re so childish!

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Language Play – Alliteration and Rhyme

Word PlayPersuasion, poems, puns. We use language to connect, to communicate, to conceal; for literature and laughs. From the time we begin to babble as babies language play is something we all do. Here are some of our favourite no materials, no preparation, rhyming and alliteration games. Read more

Why rhyme?

My daughter, Lyra, is learning a poem for a school poetry competition. She wanders around the house muttering lines and rhymes to herself, making up new ones when she forgets the original (which she often does).

Listening to Lyra’s evident enjoyment of the poem I began to wonder what it is about rhyme that we find so appealing.

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